Wednesday, November 20, 2013

Three Poems by John Pursch


Bardo
 
Drifting in pungent augury, 
clairvoyant waders eschew 
wombs of crescent greed, 
smooching till daylight gasps. 
 
High winds gust in coed gridlock,
hovering off to text peer scenery.
 
Urgency rescinds a flickering 
film of grainy features, 
mixing dawn with 
universal thighs. 

 

Who the Moon Is

It was so easy to finally die. The kettle had reached a quiet boil, the empty mug sat ready to be filled, the dimly lit kitchen peacefully receptive. The motive of Socrates had made itself abundantly clear only days before, in the flash of insight reserved for local hound dogs, foreign dignitaries, and the lithesome nubility of our seemingly arbitrary yet eminently rational preferences. Indeed, when the time came, the cup overflowed and steamed silently; the next in line woke easily and at peace, trudged off to the bathroom, lit the spare chamber in futile search for the unremembered, and returned in gratitude to splendid darkness. In the end the tea was hot, the overflow saturated a waiting towel, and something unobtrusive and omnipresent hummed on as the ink ran out, night fading ever so gently into the setting of the moon.


Cyclic Cellophane

Rags evolve, debaters fold, and swallows indemnify trepidation’s thermogenic martyrdom, colluding with equestrian jugglers in cathartic seasonal exploits. Feudal channels shunt hammerhead contraptions down mucilaginous pie lawns, schlepping doubtful carrion for orthopedists in jaundiced jai alai surge. Babies tee up origami pines, shirking polyester brawls, secreted at rawhide terminals. Goofballs emote in tensile oscillations of hallowed cilia beneath anachronistic drumstick cliques of doting operatic somnambulance, reading awkward stencils from boardroom stirrups. Orthodoxy camps in oar-lined mortuaries, winding anterior pleasure in towel clerk simpering, morphed to secluded shin depth. Shelled hooves break interred mumbling fossils, wispy bottles saturating warmly sallow pants, plucked through airless phyla. Forensic sheepskin nestles in elevated truck twangs, sealing sumptuous hues of cyclic cellophane in hiatus glue. Thawed offenders presage interior locust wheels, rubbed to lullaby infringement, leaning every watched whirl to pendular domicile subtraction pith. Moistened archers spark in tightly lectured stony hose retrieval putty, shearing tough loci for slackened cherubic walnuts. Overlooking the septic pallor of everyday greed, scalding itself repeatedly in showers of terminal flesh, polluted desire flops headlong from bridal canal to birthright’s flatulent incipience, swaddled in terrifying broth, gaping at the passing eye’s libidinous wink. Cougars shame peach trees with herd relief, park subsonic testimony in aisles of slanted fusion, and fizz within cephalic sanctuaries. Enhancements scroll by silently, flaunting obsequious extremities in cross-legged poodle sanctions, imbuing sloughed-off gubernatorial chandeliers with frottage. Plumes age till croutons pass customary goggles, inspecting levitation syndicates for soupy spanners, leaving nautical phonemes in charnel disarray. Barely flavored awareness clouds the steepest incendiary treadmills, shoving countless shuffling feeders into gargled waistline landfill, back to trusty blackened sinkhole determinism’s ruddy yelp, slashing down hillside demon rants of tulip flaunt and roaring iron bluster, testified in brooding thrusts of threadbare ideation. Extraction vows elucidate heedlessly sportive ellipses, doting on clover potables, segued into fine sand. A flair for comical inanity erodes to dusky penance, truthful discord, rancor unseen since dashed penumbrae embraced the lunar motifs of centuries spent in turgid shackles of unicellular ululation. Grazing coattail skew from cauterized duodenal emblems of nationwide distraction, there chimes a tomb of headwaiter virulence, flattened to the cry of flung fedoras and wartime somnambulance, grimacing to say “Cheese.”
 
 
 
 
John Pursch lives in Tucson, Arizona. Nominated for Best of the Net in 2012, his work has appeared in many literary journals. His most recent book, Intunesia, is available in paperback from White Sky Books at http://www.lulu.com/spotlight/whiteskybooks . He's @johnpursch on Twitter and john.pursch on Facebook.

Wednesday, October 23, 2013

A Poem by John Pursch


Pistachio Operands
 
Punch cards saunter to the neutered tune 
of tenacious anthill soap dish trauma, 
streaming scorned pejoratives 
beneath feisty cube steak siege. 
 
Darkrooms reload, threatening 
entombed Choctaw cruft with traitor fluid, 
itching seepage for artless biplane scuffles. 
 
Swing shift depilatories staple hammocks 
to masticating shanty dwellers before 
chiral onset instigates crepuscular lung landfill. 

Heat almost shames a nearby connubial silo 
to sled down awning feathers, putting up with 
bogus stint mutation chews in steady offal’s 
scintilla of asymptotic nods.
 
Boarding the sweaty seminarians, 
a distant birch tree barks at striplings, 
trending to bubbling serrations 
of equestrian cork. 
 
Bumblebees beget ethereal favoritism, 
deputizing the Queeg of Phalanx in situ, 
flooding keyed thespians 
with cue ball cuneiform.

 
 
John Pursch lives in Tucson, Arizona. His work has appeared in many literary journals and was recently nominated for the Sundress Best of the Net 2012 Anthology. His first book, Intunesia, is available in paperback from White Sky Books at http://www.lulu.com/spotlight/whiteskybooks . He’s @johnpursch on Twitter and john.pursch on Facebook.

Monday, October 21, 2013

A Poem by Les Merton


convergence
 
headstones
crosses                    epitaphs
dates                          names
broken urns
praying hands
abandonment
rushes - ferns - brambles – gorse – leaves – nettles
lichen - butterflies – winged angels - snails - weeds
passed over
 generations
 
rest in peace
 
in-a-grave-above-a
soak-away-of-bones
 
 
 
Inspired by Jackson Pollock’s Convergence
 
 
 
Being creative: writing, publishing, editing, performing is a way of life for Cornishman Les Merton who lives in Redruth, Cornwall. He's just edited compiled and published Dialect Poetry an anthology of British regional dialect. He believes use it or lose it applies to all forms of dialect.

Sunday, October 6, 2013

A Poem by Les Merton


O.K.
if you can accept   the treble space
as
            a line break
and the lowercase i 
                        as someone emphasising
                                                this is me
[u cud b red ee 4 unconventional txt]
                                                and understand
UPPERCASE LETTERS in a sentence that
            SCREAM TO THE POINT OF DISTRACTION
And be quoted as thinking ART is a ----
---- diverse range of human activities
            !!!! stop right now !!!!
concentrate I’ll be asking
            ????????????
for $$$$$ * ££££ prizes
O.K.
 
 
Being creative: writing, publishing, editing, performing is a way of life for Cornishman Les Merton who lives in Redruth, Cornwall. He's just edited compiled and published Dialect Poetry an anthology of British regional dialect. He believes use it or lose it applies to all forms of dialect.

Monday, September 30, 2013

A Poem by Bill Jansen


Damnit, Roy

Would welding sparks hit the city
like tourists from the sun,
if not for Roy?

The city
a thought-pattern
of get-real blondes
dream drones
piss
in handbags
concealed
spin
abortions
balanced news
food carts
bike psychopaths
savvy suicides
radar glossy
Susan the weather girl:

Pole-dance tonight-
cloudy this morning.
Mammoth tusked Indians
quiet
as cigarette smoke
in dusty lobbies
playing backgammon
on a Turkish rug.

Lottery tickets
like cufflinks
on a stray dachshund
with 3 pieces
of photo ID.

Overpass noise
the thrill
rolling joints
on a diaper changing station
at your Mary's Dance & Dine
Broadway and Ankeny
girls girls girls
Visa Visa Visa
like soft wood rotating
on a lathe of Chuck Berry.

On the marquee:

A Pioneer of the Industry
We miss you Roy.

Yes, we miss you Roy
and no absolution
dispensed
by rainbows on skateboards
with fractured wrists
can replace you,
though the mayor is a Samurai
with bee stung lips.



Bill Jansen lives in Forest Grove, Oregon.  Recent works has appeared in Gap-Toothed Madness and Asinine Poetry.

Saturday, September 28, 2013

A Poem by John Pursch


Humpback Flash Gun

How far from heart-shaped taxis 
in uptown district squalor breath 
do grappling hugs smile in tonal 
happenstance construction, 
gone to flavored eczema 
in shingled reliance? 
 
Frozen to benefit hearings, 
cannonade umbrella chance pelts 
illusory myopic ethical pralines 
with dosage aspect infusion, 
ejecting blunt tracheas from 
mirrored forensic eyelet screws. 
 
Off to starlit monochrome ingredient birth, 
weaving engendered jelly roll plies, 
cantering poppies grow fairly well 
beneath the surfeit’s cooly enacted 
roaming fetters. 
 
Newbie janitorial stasis sinks 
ageless instruction pod brew, 
devolved to skinned chalk stirrups 
and prescient tonsils 
for graveyard dice cups. 
 
Used tarpaulins capture 
squid reagent lice in training burdens, 
smelting axial toxins for tundra hunters 
on ballpark delicacy parole, 
speaking terminal basis bowling tips 
to ashen hemp arrestor gents. 
 
She found a lasting long-legged laziness 
in futuristic waveform eyes 
and melted into loneliness with 
humpback flash gun syncopation alarms, 
replaced by temporal street closet doubt. 
 
 
 
John Pursch lives in Tucson, Arizona. His poetry and fiction has appeared in many literary journals. His most recent book, Intunesia, is available in paperback from White Sky Books at http://www.lulu.com/spotlight/whiteskybooks . He's @johnpursch on Twitter and john.pursch on Facebook.

Thursday, September 26, 2013

A Poem by Darren C. Demaree



Adoration #4

for Cynthia at Beechwold Diner

If you sing, change
octaves with kids
dancing, booth-bound

& with bacon
in their hands, you
are glistening,

a separate
woman, joining
our frame, our shine.



Darren C. Demaree is living in Columbus, Ohio with his wife and children.  He is the author of "As We Refer to Our Bodies (September 29, 2013) and Not For Art Nor Prayer (2014), both are forthcoming from 8th House Publishing.  He is the recipient of two Pushcart Prize nominations and a Best of the Net nomination.