Monday, December 16, 2013

Two Poems by Maureen Kingston


The Redline(r)
 
My lyric's
trolley tracks
transect,
smile,
needle
in subversive
cross-stitch,
hop the
segregated
sampler’s
electric fence,
to link,
to outthink
the gated
‘hoods
of poetry.
 
 
 
The Un-Found Poems
 
Duotrope’s® 0.00% : zero calorie journals living on air : with no
acceptances : do they really exist? : I mean : beyond the head
of a status pin : beyond family and friends? : why of course they
do : you say : but how can we know for sure? : the Pushcart®
tells us so : (winners not nominees)
 
 
 
Maureen Kingston’s poems are forthcoming in Gargoyle, Melancholy Hyperbole, and So to Speak.
 

Saturday, December 14, 2013

A Poem by James Mirarchi


ZOOM
 
Move cursor over nose, mole, waistline,
stray grey hair, camel toe
CLICK
Make bigger
until they become familiar allies
Soothing strands
to weave with
into collective patch
Fall in love with pixels
Magnification joins us
Bigger is OBVIOUSLY better
Pull back
into romantic distance
A medium shot
Feel the bonds loosen
 
Get closer again
Print out x-rays
Infrared exposes us in inky shadows
Husks filled with floating dinosaur DNA
A few have pristine diamonds inside
 
Only frame rare x-rays
Hang them in abode
Bravely heed them about once a year
 
 
 
James Mirarchi grew up in Queens, New York. In addition to his poetry collections, Venison and Dervish, he has written and directed short films, which have played at festivals. His poems have appeared in Crack the Spine Literary Magazine, Poydras Review, gobbet, Boyslut, Bluepepper, Orion headless, The Mind[less] Muse, Dead Snakes, egg, The Recusant, Subliminal Interiors Magazine, Bad Robot Poetry, and Clockwise Cat.

Monday, December 2, 2013

A Poem by Bill Jansen


Front Page

At the Bon Jour Cafe
a front page athlete
splashes into the Oregonian.

Plaster dust on my bagel
from a cupid shaped hole
in the ceiling.

The cafe is on 3rd Avenue.
A empty paper bag
floats across traffic like a single mom.

I ask the waitress for a new bagel.
Or a Lifeguard's whistle.

Then a bronze wet hand
rises out of page one
and steals the salt.



Bill Jansen lives in Forest Grove, Oregon.  Recent work as appeared or will soon appear in Gap Toothed Madness and Asinine Poetry.

Wednesday, November 20, 2013

Three Poems by John Pursch


Bardo
 
Drifting in pungent augury, 
clairvoyant waders eschew 
wombs of crescent greed, 
smooching till daylight gasps. 
 
High winds gust in coed gridlock,
hovering off to text peer scenery.
 
Urgency rescinds a flickering 
film of grainy features, 
mixing dawn with 
universal thighs. 

 

Who the Moon Is

It was so easy to finally die. The kettle had reached a quiet boil, the empty mug sat ready to be filled, the dimly lit kitchen peacefully receptive. The motive of Socrates had made itself abundantly clear only days before, in the flash of insight reserved for local hound dogs, foreign dignitaries, and the lithesome nubility of our seemingly arbitrary yet eminently rational preferences. Indeed, when the time came, the cup overflowed and steamed silently; the next in line woke easily and at peace, trudged off to the bathroom, lit the spare chamber in futile search for the unremembered, and returned in gratitude to splendid darkness. In the end the tea was hot, the overflow saturated a waiting towel, and something unobtrusive and omnipresent hummed on as the ink ran out, night fading ever so gently into the setting of the moon.


Cyclic Cellophane

Rags evolve, debaters fold, and swallows indemnify trepidation’s thermogenic martyrdom, colluding with equestrian jugglers in cathartic seasonal exploits. Feudal channels shunt hammerhead contraptions down mucilaginous pie lawns, schlepping doubtful carrion for orthopedists in jaundiced jai alai surge. Babies tee up origami pines, shirking polyester brawls, secreted at rawhide terminals. Goofballs emote in tensile oscillations of hallowed cilia beneath anachronistic drumstick cliques of doting operatic somnambulance, reading awkward stencils from boardroom stirrups. Orthodoxy camps in oar-lined mortuaries, winding anterior pleasure in towel clerk simpering, morphed to secluded shin depth. Shelled hooves break interred mumbling fossils, wispy bottles saturating warmly sallow pants, plucked through airless phyla. Forensic sheepskin nestles in elevated truck twangs, sealing sumptuous hues of cyclic cellophane in hiatus glue. Thawed offenders presage interior locust wheels, rubbed to lullaby infringement, leaning every watched whirl to pendular domicile subtraction pith. Moistened archers spark in tightly lectured stony hose retrieval putty, shearing tough loci for slackened cherubic walnuts. Overlooking the septic pallor of everyday greed, scalding itself repeatedly in showers of terminal flesh, polluted desire flops headlong from bridal canal to birthright’s flatulent incipience, swaddled in terrifying broth, gaping at the passing eye’s libidinous wink. Cougars shame peach trees with herd relief, park subsonic testimony in aisles of slanted fusion, and fizz within cephalic sanctuaries. Enhancements scroll by silently, flaunting obsequious extremities in cross-legged poodle sanctions, imbuing sloughed-off gubernatorial chandeliers with frottage. Plumes age till croutons pass customary goggles, inspecting levitation syndicates for soupy spanners, leaving nautical phonemes in charnel disarray. Barely flavored awareness clouds the steepest incendiary treadmills, shoving countless shuffling feeders into gargled waistline landfill, back to trusty blackened sinkhole determinism’s ruddy yelp, slashing down hillside demon rants of tulip flaunt and roaring iron bluster, testified in brooding thrusts of threadbare ideation. Extraction vows elucidate heedlessly sportive ellipses, doting on clover potables, segued into fine sand. A flair for comical inanity erodes to dusky penance, truthful discord, rancor unseen since dashed penumbrae embraced the lunar motifs of centuries spent in turgid shackles of unicellular ululation. Grazing coattail skew from cauterized duodenal emblems of nationwide distraction, there chimes a tomb of headwaiter virulence, flattened to the cry of flung fedoras and wartime somnambulance, grimacing to say “Cheese.”
 
 
 
 
John Pursch lives in Tucson, Arizona. Nominated for Best of the Net in 2012, his work has appeared in many literary journals. His most recent book, Intunesia, is available in paperback from White Sky Books at http://www.lulu.com/spotlight/whiteskybooks . He's @johnpursch on Twitter and john.pursch on Facebook.

Wednesday, October 23, 2013

A Poem by John Pursch


Pistachio Operands
 
Punch cards saunter to the neutered tune 
of tenacious anthill soap dish trauma, 
streaming scorned pejoratives 
beneath feisty cube steak siege. 
 
Darkrooms reload, threatening 
entombed Choctaw cruft with traitor fluid, 
itching seepage for artless biplane scuffles. 
 
Swing shift depilatories staple hammocks 
to masticating shanty dwellers before 
chiral onset instigates crepuscular lung landfill. 

Heat almost shames a nearby connubial silo 
to sled down awning feathers, putting up with 
bogus stint mutation chews in steady offal’s 
scintilla of asymptotic nods.
 
Boarding the sweaty seminarians, 
a distant birch tree barks at striplings, 
trending to bubbling serrations 
of equestrian cork. 
 
Bumblebees beget ethereal favoritism, 
deputizing the Queeg of Phalanx in situ, 
flooding keyed thespians 
with cue ball cuneiform.

 
 
John Pursch lives in Tucson, Arizona. His work has appeared in many literary journals and was recently nominated for the Sundress Best of the Net 2012 Anthology. His first book, Intunesia, is available in paperback from White Sky Books at http://www.lulu.com/spotlight/whiteskybooks . He’s @johnpursch on Twitter and john.pursch on Facebook.

Monday, October 21, 2013

A Poem by Les Merton


convergence
 
headstones
crosses                    epitaphs
dates                          names
broken urns
praying hands
abandonment
rushes - ferns - brambles – gorse – leaves – nettles
lichen - butterflies – winged angels - snails - weeds
passed over
 generations
 
rest in peace
 
in-a-grave-above-a
soak-away-of-bones
 
 
 
Inspired by Jackson Pollock’s Convergence
 
 
 
Being creative: writing, publishing, editing, performing is a way of life for Cornishman Les Merton who lives in Redruth, Cornwall. He's just edited compiled and published Dialect Poetry an anthology of British regional dialect. He believes use it or lose it applies to all forms of dialect.

Sunday, October 6, 2013

A Poem by Les Merton


O.K.
if you can accept   the treble space
as
            a line break
and the lowercase i 
                        as someone emphasising
                                                this is me
[u cud b red ee 4 unconventional txt]
                                                and understand
UPPERCASE LETTERS in a sentence that
            SCREAM TO THE POINT OF DISTRACTION
And be quoted as thinking ART is a ----
---- diverse range of human activities
            !!!! stop right now !!!!
concentrate I’ll be asking
            ????????????
for $$$$$ * ££££ prizes
O.K.
 
 
Being creative: writing, publishing, editing, performing is a way of life for Cornishman Les Merton who lives in Redruth, Cornwall. He's just edited compiled and published Dialect Poetry an anthology of British regional dialect. He believes use it or lose it applies to all forms of dialect.